The first one is “hesed,” which is God’s covenantal, loyal love. You could you could describe that as commitment love, committed love. He crowns us, he surrounds us. He exalts us to a place of living in his committed, loyal, durable, enduring, steadfast love. The kind of love that does not fluctuate with feelings. The kind of love that does not change whether you have a good day or a bad day or you wake up feeling like a Christian or a pagan. It’s a steadfast, loyal love. He surrounds us with that loyal love.
2While these impressive numbers indisputably establish the widespread popularity of romance, the genre has been studied very sparsely. Even though the scholarly examination of popular culture has become a respectable and well-established academic pursuit, few scholars turn their critical gaze towards this most popular (and feminine) of genres. Studies of the popular romance novel are consequently few and far between, and within this relatively small body of work attention to the material aspects of the genre has been very limited.1 This despite the fact that the material conditions of popular novels are of major importance since they function as sites of intense debate concerning the status, meaning, identity and cultural placing of the books.
Felipe and I had arrived in this particular village after an overnight journey from Hanoi on a loud, dirty, Soviet-era train. I can’t rightly remember now why we went to this specific town, but I think some young Danish backpackers had recommended it to us. In any case, after the loud, dirty train journey, there had been a long, loud, dirty bus ride. The bus had finally dropped us off in a staggeringly beautiful place that teetered on the border with China—remote and verdant and wild. We found a hotel and when I stepped out alone to explore the town, to try to shake the stiffness of travel out of my legs, the little girl approached me.

5. Look for meaning. Re-frame an event to see the positive along with the negative. Maybe getting fired will give you the push you need to move to the city where you’ve always wanted to live. Maybe your illness has strengthened your relationships with your family. You don’t need to be thankful that something bad has happened, but you can try to find positive consequences even in a catastrophic event.
Let go of control. If you really want to feel happier, then you have to let go of the idea that you have control over all of the things that happen to you – from the successes and failures in your career to the health of your favorite pet. The fact of the matter is, you have almost no control over all of the things that happen to you, including how long you’ll live. The sooner you accept that, the sooner you can realize that you don’t have control over what life may bring – but that you can control your reaction to it. The power to be happy or sad is in your hands.
31In a similar vein, the preview scene also allows the romance reader to get a first sense of what in the romance community is often referred to as the author’s voice. In this context, the term “voice” refers to the conglomerate of elements that characterize an individual’s writing (Goris, “Loving by the Book” 80). Voice is determined by both narrative and linguistic elements and includes such things as the rhythm of the text, the cadence of the dialogue, the pace of the story, the tone of the narrative, the development of the characters, etc. As I have pointed out elsewhere, voice is an important evaluation criterion in the popular romance genre and one that both editors and readers frequently cite as a potentially decisive factor in their evaluation of a particular romance novel.15 Although voice is a fluid and compound notion, the preview scene provides the romance reader with a first impression of the author’s voice, which in many ways functions as the primary parameter of singularity in the category romance novel. Given the importance of the voice in the reader’s enjoyment of the narrative, this impression is likely to factor into the reader’s decision to read (and buy) the novel, and it thus bestows a commercially important function on the preview scene.
I have been dating a guy for 9 months, we get on great, met each other's family and friends. I have you get kids and realised we only saw each other if I had them babysat and I always went to his, he met my kids and we went away for weekend together, after I questioned him where we are going, he told me I've stole his heart and he loves swing me but can't fully commit to me and he doesn't know why, he wants to still see me as he doesn't want to loose me but says I deserve more. Is my family life his fear of commitment? Should I walk away now? Or give it longer to see if he would commit?
To be faithful and committed to my wife, I had to eliminate the temptations, like too much perusing on Facebook or letting my mind wander too much in social settings. We’re all vulnerable to letting our minds and eyes wander. Things like alcohol, emotionally charged occasions and tiredness can all contribute to putting us in a position where we’re weak.

The first one is “hesed,” which is God’s covenantal, loyal love. You could you could describe that as commitment love, committed love. He crowns us, he surrounds us. He exalts us to a place of living in his committed, loyal, durable, enduring, steadfast love. The kind of love that does not fluctuate with feelings. The kind of love that does not change whether you have a good day or a bad day or you wake up feeling like a Christian or a pagan. It’s a steadfast, loyal love. He surrounds us with that loyal love.

37As noted in the above analyses, this is hardly a subtle process. On the contrary, the category romance is very obvious in its material genre performance. This generic blatancy is, as Gelder has pointed out, another characteristic element of popular fiction, in which “generic identities are always visible. This is how it differs from Literature. Popular fiction announces those [generic] identities loudly and unambiguously” (42). Although it is precisely this very emphatic generic conventionality that gives rise to the stereotypical interpretation of genre literature in general and the category romance novel in particular as a kind of literature that is repetitive, formulaic and inferior to literary fiction, this is the price that the category romance novel is apparently willing to pay in order to achieve the generic transparency that is the commercial bread and butter of popular fiction.
My wife and I, in many respects, are opposites. I’m much more open with my emotions and feelings. She tends to keep them in. We both show our emotional intelligence in different ways. Socially, it takes me a little longer to get comfortable in a crowd, but then, I’m a total extrovert. My wife, who’s more introverted, is a social butterfly at galas and large social gatherings.
The cofounder of an Internet startup, Burton spends his days coding in Wi-Fi-enabled cafés and using his AIM Sniffer to keep an eye on all the data traveling over the cafés' networks. Between marathon Java-thrashing sessions, he often finds he wants to introduce himself to "a cute girl with a laptop" but is too shy to make an approach. That's where the Sniffer comes in handy. If a hottie fires up her AOL Instant Messenger client, Burton sees her login name and can send her an IM. "I've gotten several first dates that way," he says. "Women think it's cute when I can make a message pop on their machine as if by magic. Now that so many women are online, it's our chance as geeks to start getting more dates."
32These latter two interpretations of the preview scene require extensive familiarity with creative dynamics and codes that are specific to the category romance format and are hence only developed by readers initiated in the popular romance genre – in other words, the category romance’s target audience. For these readers, the preview scene functions not only as a code signifying the novel’s romance generic identity (as it does to the public) but also as a codification of the novel’s singularity. As with the clinch and the design template, these different interpretations of the category romance’s materiality are also fundamentally tied to the public’s and the reader’s respective degrees of knowledge of and experience with the particular codes of the popular romance genre. The romance reader is able to develop a more complex and layered interpretation of the category romance’s materiality than the public because her extensive knowledge of the genre’s conventions and codes enables her to see differentiation where the public only sees similarity.

39However, this ostensibly homogeneous generic identity is thoroughly complicated in what I have called the secondary codification of the category’s materiality – a genre-specific code that only readers familiar with the genre detect and decipher. Via these coded elements, the category romance’s materiality suggests a more refined and singular interpretation of its text that is essentially designed to indicate how the novel is different from its generic colleagues. This hidden layer of the semiotic code not only enables the romance reader to develop a secondary set of textual expectations, but also thoroughly complicates the homogeneous image of the genre that is painted in the primary (public) layer of the book’s material codification. Instead of further supporting the stereotype-based public interpretation of generic standardization, this (hidden) secondary layer of the material code consistently signals ways in which the romance novel develops a more specific identity. As illustrated in the analyses above, the degree of specificity of this identity increases gradually. Whereas the front cover is often still concerned with suggesting shared identity traits, such as subgenre, level of sensuality and line identity, the first page inside the book resolutely focuses on the text’s singularity by showcasing the manifestation of authorial voice in the narrative text.

5. Look for meaning. Re-frame an event to see the positive along with the negative. Maybe getting fired will give you the push you need to move to the city where you’ve always wanted to live. Maybe your illness has strengthened your relationships with your family. You don’t need to be thankful that something bad has happened, but you can try to find positive consequences even in a catastrophic event.
It is in this particular area that I feel my most powerful impact. To say that my marriage was unconventional and that it was difficult is an understatement. But, I would do it all over again because my journey with Jeff provided me the opportunity to discover my own true definition of love. For in those twenty-five years, I was able to find my core, my strength, my faith, my hope, and my true understanding that I was chosen to love him. I was chosen to stay with him. And I was chosen to be able to watch him become the stranger in my bed due to the horrific devastation that his virus brought. To this day, I remain in my heart, Jeff’s wife, friend, caregiver, and devoted partner. My hope is that with this book, others may gather up the strength and fortitude to commit to their marriage vows before God first and then, commit to their marriage. May this book give you the understanding of how remarkably strong you can be and how capable you truly are when “Committed to Love.”
Figuring out how to feel happy is no easy task. Do you find yourself in a depressed state, wondering what you’re missing? Are you thinking that there must be something else that you should be doing? Are you unsure how to feel happy and fulfilled? Or maybe times are tough, and you don’t know what to do to make it through the challenges you’re currently facing.
25Romance readers are, of course, not blind to the impression of similarity created by the line template, but they are nonetheless able to ascribe to it a different meaning. This interpretative difference is located in two aspects. First, whereas the public tends to connote the extensive visual and material similarity of the line template in a rather negative way (category romances are generally considered inferior forms of literature because they are – or at least materially appear to be – so similar), the category romance reader is inclined to interpret this similarity more positively as a code for the strong conventionality that is part and parcel of the category romance format and that its target reader appreciates. Second, the romance reader again, as in her reading of the clinch, detects a number of coded information parameters in the line template that in her eyes develop a more specific textual identity. For example, the template’s dominant color scheme is often a code for the tone or subgenre of the line, as red signifies sensual lines, purple is conventionally reserved for suspenseful lines, white is typical of medical lines, etc. The line number printed on the spine of each category romance further reinforces the public’s interpretation of the category romance novel as a standardized assembly-line product (Kamble 181), but to the romance reader this number denotes information about the line. The higher the number, the older the line is ; the older the line, the more likely it is to have proven its (commercial) success, but, by the same token, the more risk it runs of being outdated in the fast-changing, trend-sensitive popular romance genre.
The first story is the longest and most mature of the issue. “I Was a Pick-Up” tells the story of Toni, a sheltered 17-year-old who makes a dress and goes on the town. During her adventures, Toni takes a ride from a convertible-driving rich boy named Bob, who later abandons her at roadhouse when the place is raided. Luckily, bad boy Stanley rescues her. Sadly, Stanley leaves Toni with a note that says she is better off without him. However, two pages later, Toni has barely escaped another yet another lout, when she meets a reformed and now-successful Stanley in a gas station. They live happily ever after.
11 It is interesting, however, that in Romance Writers of America’s 2005 market study only 12% of romance readers indicated a preference for “romantic covers” while 35% indicated a preference for “sedate or abstract covers”. The matter does not seem to be a potential deal breaker, however, as the majority of readers (53%) indicated that they “prefer both types of covers”.
Coexisting without trust is bad, but getting burned again is worse. So instead of taking a leap of faith with that crazy neighbor or the coworker who stabbed you in the back, you can find steps that are comfortable. For forty-five days, craft reciprocal exchanges that build stepping stones toward trust with difficult people. You can’t predict the results since you can’t control others. But you will expand your sense of control over the trust bonds in your life. This is hard work, and it may not feel good in the short run. But in the long run, it builds confidence that you can do something about those thorns in your side learn how to feel happy in spite of them.
Discover a world where sentient machines can't be stopped with weapons, only with humanity's best programmers. Join the Human Defense Department's last ditch effort to save the world: by teaching the brightest students in the nation how to hack and scramble the brains of the enemy. Follow the journey of Mina Lovelace as she seeks to prove herself worthy of following in her mother's footsteps, and tries not to embarrass herself in front of her childhood crush in the process! If you enjoy visual novels, problem solving, political intrigue and love stories, you'll love Code Romantic! Currently in Production.
19Various elements of the clinch image are subjected to this genre-internal system of secondary codification. For example, the attire worn by the cover models can function as a code for the novel’s subgenre. That models on the cover of historical category romances wear clothes that are instantly recognizable as period costumes comes as no big surprise and is a fairly obvious example of such a secondary codification of the clinch image. Other clothing-based codifications that are common in the romance genre are perhaps less obvious to the public at large. The relatively recent trend in paranormal romance to deck out cover models (particularly women) in leather clothing is probably not well-known outside the genre. Nonetheless, as romance bloggers Sarah Wendell and Candy Tan have observed, within the romance genre a female cover model dressed in leather or spandex-like clothing serves as a reliable semiotic sign that the novel in question features a paranormal storyline (178).
Coexisting without trust is bad, but getting burned again is worse. So instead of taking a leap of faith with that crazy neighbor or the coworker who stabbed you in the back, you can find steps that are comfortable. For forty-five days, craft reciprocal exchanges that build stepping stones toward trust with difficult people. You can’t predict the results since you can’t control others. But you will expand your sense of control over the trust bonds in your life. This is hard work, and it may not feel good in the short run. But in the long run, it builds confidence that you can do something about those thorns in your side learn how to feel happy in spite of them.

His idea is as simple - and as simplistic - as HTML. The lovelorn use Vuong's trademarked Identification Coding System to convert their every physical, intellectual, and psychological attribute into a string of characters. Then they post the code on their Web sites. SocialGridsters can surf Google for their ideal mate by typing in their most-wanted combination of codes. They can customize their searches to locate people of a particular height, religion, educational background, even level of risk tolerance. In Vuong's world humans become fully searchable, utterly logical, machine-readable data. It's an eccentric courtship strategy but it suits Vuong perfectly. "My ideal date is to go somewhere with our laptops and do work," he says with a grin.


Think about buying toilet paper in 7-Eleven. It will likely be one brand, in one-roll quantities, and it will likely cost you four bucks. 7-Eleven is a great chain of stores, but they excel at convenience, not low price or variety. What does this mean? If you badly need a roll of toilet paper, you’ll take the individually wrapped roll of Scott’s they have and forego your desire to get the Charmin Ultra Soft you normally prefer. (Which, at the risk of oversharing, is my favorite.)
No, I don’t mean you need to be a sacrificing person all the time, but this is something that starts to happen naturally. When the needs of your partner start becoming your priority, you know you are in a serious love commitment. It does not make you feel any lesser nor does it make you feel like you are losing out on something; in fact it gives you great joy and satisfaction.
The romance comics craze caught on slowly at DC . . . . When DC finally attempted a full-fledged love title, editor in chief Irwin Donnenfeld made the unprecedented decision to hire a woman as editor. “The romance magazines really appealed to young girls,” he says, “so I felt a woman would have a better handle on what a young girl would like, better than a guy like Bon Kanigher, who was doing war books.”
Pride is a rudder that helps you navigate opportunities to get social recognition. It helps you steer between the opposite extremes of constant approval-seeking and cynical dejection, which actually can help you feel quite happy and content. Taking pride in yourself means more than just thinking it silently. It means daring to say, “Look what I did!” to another living soul. Asking others to respect your accomplishment is risky because you may be disappointed. People often protect themselves by insisting that social respect doesn’t matter or that it’s hopelessly unfair. But these rationales don’t help you feel better because they don’t soothe the mammal brain’s longing for the sense of security that social respect brings.
In her research, Lyubomirsky has asked men and women to imagine that this month is the last month they’re going to live in their hometown.”People really change,” she said. “They change what activities they do — they savor their friends and their neighbors.” What might you embrace, or what nearby adventures might you finally prioritize if you were moving soon?
For forty-five days, notice your status frustrations and remind yourself of the hidden advantages of wherever you are as a way to boost serotonin and a way to feel better. Your status will always be going up and down in small ways. Your mammal brain will always keep track of it, as much as you wish it wouldn’t. If you fret over your position, the fretting will never end. You can focus on the positives instead, which will train your brain to feel happier. Once you create this thought habit, you will always have a way to make peace with your mammal brain.
The romance genre was gutted. Nothing that resembled anything a real teenager might experience was allowed anymore. Even though the lovers in the stories looked like full-grown adults, most of these characters seemed to have no clue whatsoever on how to deal with an actual relationship. No comics that tried to show real problems and possible solutions to them were allowed under the Code, and although the genre stumbled along until the mid-1970s, it eventually withered and died.

40The apparent simplicity of the category romance novel’s materiality conceals a complex semiotic system of double encoding. The strong conventionality that marks the material packaging of the novel functions in a complex way that defies the stereotypes of simplicity, formula and repetition that surround the genre even as, on its surface level, it reinforces and perpetuates these same stereotypes. Whereas the mass public relies on this stereotype-confirming surface level to simplistically interpret the book as a formulaic instance of genre fiction, understanding – decoding – the hidden complexities of the underlying secondary semiotic layer requires the romance reader’s extensive knowledge of both the romance genre’s overall conventions and those that are specific to the category romance format. Only on the basis of such generic knowledge can this seemingly overwhelming conventionality be perceived and recognized as markers of variation and deviation instead of repetition and similarity.
Noah Cho: I don't like looking at myself in the mirror and I think that when Code Switch asked me to take the pictures to be included with the piece, that was actually really the hardest part of that. The writing was actually fairly easy because that came from a really wounded place in me, but to actually have to see my picture was far more difficult. And yes, of course, that does speak to my self-esteem.
A little secret : First time I came checking this vn out, I was a bit confused when see the name of "Lovelace", as the style of drawing reminded me to Harry Potter and the "Lovegood" family at that time and still puzzled over "is that typo of the name?" or "how the Heaven the witch become muggle, the programer moreover?" ... But then I remember "Lovelace" as "Ada Lovelace, the first programmer in real life" and now embarrased over my own hillarious misconception x'D 
There are two kinds of optimizers: those who write programs, and those who hack what other people have written. Kevin Burton is a perfect example of the latter. With his all-American look, Burton seems to have just stepped out of a Gap ad. But that doesn't mean he can meet women on his own. For that, he relies on a sneaky little program he invented called the AIM Sniffer.
Again, the very shape of my curiosity seemed a mystery to the grandmother. Politely, though, she gave it a try. She had never particularly met her husband before she married him, she tried to explain. She’d seen him around, of course. There are always a lot of people around, you know. She couldn’t really remember. Anyway, she said, it is not an important question as to whether or not she knew him when she was a young girl. After all, as she concluded to the delight of the other women in the room, she certainly knows him now.
4In this paper I examine if this tacit assumption remains valid when the romance novel’s materiality is subjected to in-depth analysis. This analysis focuses in particular on the format of the category romance – the most conventional kind of romance novel – to uncover the fact that the genre’s materiality is fundamentally and functionally marked by tensions between conventionality and originality, pattern and deviation, simplicity and complexity. The double reading of the category romance novel’s materiality that is developed in this article and the perhaps surprisingly intricate relation between this materiality and the reader/public that is uncovered not only offer an overdue and innovative discussion of the category romance’s materiality, but also develop interesting wider perspectives for the study of the complex relation between genre and materiality in popular culture more generally.
But maybe it would be useful for me to at least acknowledge to myself now, on the eve of my second marriage, that I, too, ask for an awful lot. Of course I do. It’s the emblem of our times. I have been allowed to expect great things in life. I have been permitted to expect far more out of the experience of love and living than most other women in history were ever permitted to ask. When it comes to questions of intimacy, I want many things from my man, and I want them all simultaneously. It reminds me of a story my sister once told me, about an Englishwoman who visited the United States in the winter of 1919 and who, scandalized, reported back home in a letter that there were people in this curious country of America who actually lived with the expectation that every part of their bodies should be warm at the same time! My afternoon spent discussing marriage with the Hmong made me wonder if I, in matters of the heart, had also become such a person—a woman who believed that my lover should magically be able to keep every part of my emotional being warm at the same time.
Vuong is the author of an underground Internet classic, The Soulmate Manifesto, a cost-benefit analysis of romance that proposes "a mathematical model that could predict and explain all human behavior pertaining to love." Lately, he's been all over the Net with his theories about using statistical analysis to find a date. A few months ago, he launched an online dating service, SocialGrid, which he promised would "change the world." Nobody was sure if he was kidding or serious.
Catnaps, power naps, a full night’s sleep… no matter the method, a quality snooze session is vital for overall well-being and happiness. In fact, research shows that not sleeping enough (four hours per night) may lead to lower levels of optimism. And other studies show skimping on sleep can damage our on-the-job performance and academic performance. The cost of poor sleep: workplace productivity loss and associated costs. Rosekind MR, Gregory KB, Mallis MM. Journal of occupational and environmental medicine / American College of Occupational and Environmental Medicine, 2010, Apr.;52(1):1536-5948. Sleep and academic performance in undergraduates: a multi-measure, multi-predictor approach. Gomes AA, Tavares J, de Azevedo MH. Chronobiology international, 2012, Mar.;28(9):1525-6073. Your best bet: Load up on your vitamin Zzz’s for a healthier, happier life.
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